My greatest experiences in the theatre and the most religious experiences in my life - of which going to the opera is one for me - have been with the Romantic composers' repertoire: it's Wagner, it's Strauss, Verdi, Puccini. That era gets me every time.

My love of classical hit pretty early. I was 13 when it occurred, and that was really the only music I listened to for many, many years. I went to a conservatory, but I always knew I would be in the pop world, because A) it was more fun and B) you didn't have to practice as much and you could go out more. But I immediately saw this opportunity to inject my material with these sounds that most members of my generation really didn't know about, so it was a great way to differentiate myself from the pack.

But I want to deepen as an artist, and working with Shakespeare definitely points in that direction.

Everything I do, I feel is genius. Whether it is or it isn't.

To me, songs come of their own volition - and with an open-ended philosophy.

The mind has so many pictures Why can't I sleep with my eyes open? The mind has so many memories Can you remember what it looks like when I cry? I'm trying, trying to tell you All that I can in a sweet and velvet tongue But no words ever could sell you Sell you on me after all that I have done.

It's about how whenever I fall in love, I have these expectations of the experience being a perfect dream, which, of course, ruins it. I imagine cradling my lover's head in my lap in a cab in the middle of the night, and drinking champagne in an elegant hotel suite. But life's rarely like that, and I usually end up walking home by myself in the rain.