I basically have needed to go to the piano and give voice periodically to, you know - I'm always afraid to describe it as a kind of therapeutic process, but nevertheless it was a type of unloading that had to occur due to my personal life with my mother's health or just my professional trials and tribulations.

I definitely have a Luddite's approach to what's going on. I find that as I get older, I get stupider.

I'm not born again, I'm not Kabbalah, God forbid, but I did have an experience hitting 30 that I needed to lean on something that assured me that everything is going to be okay. I had to regain a lot of my belief in fairy tales, in happy endings.

I don't know if it will be my big comeback, but I think it is a statement - that I am a self-sustaining, vibrant, long-term artist, and I'm not going away! And if you don't give me credit, then the musical gods will!

I should write a musical. That is probably one of the final areas that I should pay attention to, because it does kind of involve everything. It's got theatre, it's got young, pretty people... And it's got money!

I have an ounce of Lady Gaga's full-bodied ambition.

I strive for what you do find in Shakespeare's work - that there is a definite humanity and a definite character behind the writing in the sonnets, and it's very real because it's so deeply personal. I try to aspire to that in what I do.