I mean, you know, sometimes, yeah, you wish for something and you don't get quite what you wish for. But you get something bigger and better.

You've got pressure making any film, frankly. Whenever you're doing something in the public eye you have to silence it really, you can't read the blogs and take them at face value, you just have to say, 'I'm lucky enough to be in this position, to do this job'.

I think that 'Halo' is a hard property because they don't need to make a film. They make far more money out of the games so why risk?

I think it's possible to make a blockbuster that is actually emotional. They don't need to be mutually exclusive.

I read every screenplay that was being sent to the other directors. None were being sent to me, but I was reading what others were choosing and what the best writers were writing.

In a way I think why the Ghost story is very relatable to a large audience is that it's kind of a coming of age story and it's a realisation of 'I am what I am - what has happened to me, good or bad, that is the sum of who I am now'.

Once you know the world you know how your character fits into it.