And there are people who want to be writers because they love to write. And they care.

Lists of books we reread and books we can't finish tell more about us than about the relative worth of the books themselves.

We are not buried in history, but surrounded by it. You can't avoid our behavior being shaped by it, to a considerable degree. We have this fantasy that we are free of history. This allows us not to see the circumstances, the historical circumstances of other people.

My major allegiance has been to storytelling, not to history.

When an old man and a young man work together, it can make an ugly sight or a pretty one, depending on who's in charge. If the young man's in charge or won't let the old man take over, the young man's brute strength becomes destructive and inefficient, and the old man's intelligence, out of frustration, grows cruel and inefficient. Sometimes the old man forgets that he is old and tries to compete with the young man's strength, and then it's a sad sight. Or the young man forgets that he is young and argues with the old man about how to do the work, and that's a sad sight, too.

For almost anyone who chooses to be a writer, since so very few writers are able to learn a living from their work that is equivalent to the living earned by the average dentist or accountant.

One of the things I have tried to do with this book and with all of them really is avoid that simple, easy, reductionist view of motivation and to show we do things for a complex net of reasons, a real braid of reasons.