I like villains because there's something so attractive about a committed person - they have a plan, an ideology, no matter how twisted. They're motivated.

Even though Noah is in the Koran as well. But we knew going into this project that you can't make stories or render images about the Prophet. But I do believe people are missing out if they don't have the choice to see this film.

Nobody wants zealotry in a police force, you know? You do want to know that the guy who's got that badge, is confident enough to judge a certain level of benign corruption. Like a man steals some food to feed his starving children.

Sport for me is about inspiring kids. Here's the rules, here's the play area, sometimes you win, sometimes you lose. This is all about teaching kids how to approach life. If we're not playing sport to benefit kids, I'm not really sure why we play sport.

People accuse me of being arrogant all the time. I'm not arrogant, I'm focused.

If you're a certain type of actor, then eventually stepping into a director's shoes is a natural transition. I've always been the actor who's very focused on the narrative, where my character is in the story, and how I can benefit the story. I've always had a technical aspect of what the lens is, how the camera is going to move, how I can feed the information the director applies within that move. If you're that type of actor, narrative-based, technically proficient, the next step is actually not that far.

Australians and New Zealanders don't talk about Gallipoli in terms of invasion. I started talking about it and using that word and at first there were a few people who were getting upset in the same way that in any country, if you work for a newspaper you know exactly the dude you can go and talk to get a knee-jerk reaction when it comes to something to do with the military.