When I was a young fellow, I used to learn the dialogue backwards. The point is that in a conversation between two people, you can't have already made the decisions about what you're gonna do. You gotta be very light on your feet. That leads you into areas where conversations can have a much bigger, grander meaning.

If I'm creating the composition, it's easier for me as an actor because I've just cut out the middle man. Because I've created the composition and now I'm in it, I already know exactly what I want to get out of it. So, bang!

If there's anything about someone's life that's important enough to make a movie about it, I have to take responsibility to get all of it right. It's a huge responsibility.

Some people have got advice, some people have got horror stories. I like people that look you in the eye with a glow and say "It's gonna be cool."

Anyway, I'm doing my rave and this spittle comes out of my mouth and it winds its way very delicately through the wire fence that separates us and lands clear and bright on Denzel's lip. And we're at the beginning of the scene and I've got to do the rest of the scene, and the camera isn't on him, it's on me - and I'm fully aware that I've just spat on Denzel Washington!

When you're heading into Anzac cove you are going into this battle situation staring into the sun. So, any movement in that water, any glint is going to be seen for miles away. Even in the first rays of dawn, there's nowhere to hide.

You need to learn to live with your mistakes. And you need to be in a position to say No once in a while. It's important in life, and it's important for any career that you want to pursue.