The first thing I would say to young writers is, "Don't do it, unless you can't stand not to do it." And the second thing I would say is, "If you do do it, and get into it, the constant rule you should have in mind is to explore your material." It sounds simple, but it isn't, because people often want to get from A to B, and they don't stop to look at what is in the material.

What a weird thing smoking is and I can't stop it. I feel cosy, have a sense of well-being when I'm smoking, poisoning myself, killing myself slowly. Not so slowly maybe. I have all kinds of pains I don't want to know about and I know that's what they're from. But when I don't smoke I scarcely feel as if I'm living. I don't feel as if I'm living unless I'm killing myself.

Explorers have to be ready to die lost.

After all, when you come right down to it, how many people speak the same language even when they speak the same language?

But when I don't smoke I scarcely feel as if I'm living. I don't feel as if I'm living unless I'm killing myself.

There must be a lot of people in the world being wondered about by people who don't see them anymore.

When I write a book, I don't have a plan or an outline. The characters move the action, and the action develops the characters. When I write a book, I become an actor, really, taking the role of the person who is speaking or acting at the time, and so their reactions to whatever they see are my reactions.