'Green fingers' are a fact, and a mystery only to the unpracticed. But green fingers are the extensions of a verdant heart. A good garden cannot be made by somebody who has not developed the capacity to know and love growing things.

Green fingers are the extension of a verdant heart.

Garden making, like gardening itself, concerns the relationship of the human being to his natural surroundings.

A garden really lives only insofar as it is an expression of faith, the embodiment of a hope and a song of praise.

'Green fingers' are a fact, and a mystery only to the unpracticed. But green fingers are the extensions of a verdant heart. A good garden cannot be made by somebody who has not developed the capacity to know and love growing things.

There are few gardens that can be left alone. A few years of neglect and only the skeleton of a garden can be traced. . . . Japanese artists working with a few stones and sand four hundred years ago achieved strangely lasting compositions. However there, too, but for the hands that have piously raked the white sand into patterns and controlled the spread of moss and lichens, little would remain.

Limitations imply possibilities. A problem is a challenge.