Art is a process of concentration. It is both the distilled essence and the commentary upon otherwise mundane activities and reflections. Musical notes must be charged, must gather more than one and the surface meaning, must reveal audible and "inaudible" connections to other notes, patterns, and meaning, either by way of affinity or contrast.

To play the piano is to consort with nature. Every mollusk, galaxy, vapor or viper as well the sweet incense of love's distraction, is within the hands and grasp of the pianist.

As Bartok put it so succinctly: "Competitions are for horses." Nothing could be more barbaric that the practice or ranking artists as though they were divers or figure skaters....What one suspects is that the appetite for dividing the world into winners and losers, anointed and anonymous, is so compulsive that it feeds with special, vindictive hunger on the most elusive and ephemeral of subjects. For if music can be reduced to games of power and success, then innocence-love without profit-can be dealt a crushing blow.

The breath, prayers, and libido of the fingertip must somehow be transferred to the neutral indifference of the key.

To master the piano is to master the universe.

Through music time is tamed, although music never forgets to remind us of time's faceless mission.

The context for music is varied and profound. If their fantasy is to be awakened-so that their sounds may be incisive or ravishing-then the menagerie of saints and dragons must be faithfully recalled.