The Doctor: The Fourth Great and Bountiful Human Empire. And there it is: planet Earth at its height. Covered with megacities, five moons, population 96 billion. The hub of a galactic domain, stretching across a million planets, a million species. With mankind right in the middle. [Adam faints] The Doctor: [leans towards Rose, still looking out over the Earth] He's your boyfriend.

Drama's not safe and it's not pretty and it's not kind. People expect the basic template of television drama where there might be naughty villains, but everyone ends up having a nice cup of tea. You've got to do big moral choices and show the terrible things people do in terrible situations. Drama is failing if it doesn't do that.

Buffy the Vampire Slayer showed the whole world, and an entire sprawling industry, that writing monsters and demons and end-of-the-world is not hack-work, it can challenge the best. Joss Whedon raised the bar for every writer - not just genre or niche writers, but every single one of us.

Maybe that's when bad scripts are written, when you choose the theme first. I consider that I've something to say when I've thought of a person, a moment, a single beat of the heart, that I think is true and interesting, and therefore should be seen.

I dread the day I leave [Doctor Who], because then I'll have to go back to writing bedrooms and offices and pubs. And maybe a field, if I'm lucky.

You’re far more likely to see a naked woman than a naked man. It’s only [seen as] rude because the rest of television is rather tame – it doesn’t actually talk about sex and our bodies and how we feel about them. I’m not out to shock.

...The very word 'fiction' implies another world, literally a different place, whereas no one claims that a dedicated sportsman is escaping his life, or a chef or a nurse. But the poor writer - the sci-fi one especially - is seen as running away. Bollocks. This is real, for me, and it's tough, it's fun, it's practical, and it's very, very important.