I don't want to tell them what to take away from a movie, I think a movie should tell that.

I don't know what my appeal is. I can see I've got blue eyes and don't look like the Hunchback of Notre Dame but I can't understand the fuss.

Well, of course, every actor's limited, and I am the first one to admit it, in all honesty, when I think that I've hit the wall a bit. I'm not ashamed at all, I think it's a process that you have to go through. That's how you learn.

It doesn't matter who's directing, or who's doing the movie; there are a ton of things that can go wrong, and they do all the time. So you just have to figure out how to get through it, and then how the director finally puts it together, and then see what the audience takes from it. That's the most important thing to me.

The funny thing is most people don't approach me because they are scared, and that's fine, I want to keep it that way. But the thing is if you're not scared or get over it you learn that sometimes what you're scared of is really what you shouldn't be scared of.

I'm way bigger than people think I am. I'm way bigger. I've been underrated all my life, and that's fine. I have privacy. I can walk the street without being hassled. I can be a regular guy. The price to give that up is so horrible. When you become a part of the hysteria - it's not completely in my hands - you have to hide.

I don't mind reminding people it's a movie, or that you're telling a story. Everybody knows this, but for some reason, we want to be real. I don't get it, I like the fakeness of my craft. I don't think the audience minds-they all know we're making a movie.