When you work with directors who really love actors, who love their contribution, it feels amazing. But sometimes when you work with directors, you feel like youre in the way.

You don't come to see a Greek play and not want blood and gore and depth of feeling from your boots up.

I've gone into auditions and I think they have an assumption about me when they see my photo and then I open my mouth and they say, 'Where exactly are you from? And you were born in Ethiopia? But you're Irish, but you also kind of sound English. That's really strange.' They want to put you in a box in LA, that's how they tend to do it there, so if you don't fit in that box, it makes it more difficult.

If people want to invade your privacy, they want to invade your privacy. I find it chilling, and I find it awful, and it makes me really nervous. It hasn't happened to me much, but when you have a taste of it, it's bitter.

There's a pressure on actors to get somewhere before it's over. But everyone wants longevity, don't they? It's a career. Why be that flash-in-the-pan, taking every job out of worry it'll soon be over?

Never think that one voice is too small to be heard.

I like connecting with people, and that's what good art is, a point of connection. There's nothing better, on stage or on film, than feeling like you've achieved that.