I feel like everyone's starting to isolate, and that proves itself in a big context like Brexit, and Donald Trump potentially, and putting walls up and stopping people coming in.

I admire the brazen qualities in people.

I'd love to direct again.

There's such a huge link with fashion, with front covers of magazines and selling products, but that's not what you go into the job for, and yet you're persuaded that's what you have to do to create the opportunities for yourself.

In Britain, we haven't got enough money to make these long-running shows. We always do little mini ones. You have more control as an actor over what you want to do with it. On these you drive yourself mad trying to know what's going to happen, because the writers don't.

Brexit for me was really interesting because I was in the heart of Yorkshire, which is a "leave" area. It was quite odd actually, a real deep sense of unease. You felt very odd for your country. You have lots of people that are angry. It's a very physical and public stand that these people are making.

Every actor turns everything round to their character.