I feel there is something nice about not talking. Like you can say more by actually saying less.

I tried to find something real in essentially something thats science fiction or something-for me, anyways-not having an experience like this.

I went through puberty in a theme park. I'm grateful. That place was a landscape to me. I had adventures every day.

I don't know what art is exactly, but I'm pretty sure it's not something you get paid to do. For myself this is a job. I think it's easier to get better at it if you don't lose your identity in it. You do whatever you can to try to understand the character. Because they're paying you feel like you should be doing something.

Talking about muscles. They're like pets basically. They're not worth it. You have to feed them all the time and take care of them, and if you don't, they just go away. They run away.

I’ve been lucky, so lucky, working with [...] Rachel (McAdams) on The Notebook. A big draw for me, when I do a film, is who am I going to be opposite, because there’s only so much I can do on my own.

You can't make a movie for everybody. You can't go into it trying to alienate people, but you have to assume that you're going to.