The point is to expand the scope of what a movie can possibly mean or be, to get people involved because they're artistic or understand the point of the material, not just because they fit a certain bill aesthetically.

To me, White Boy Shuffle is sort of like Catcher in the Rye, the story is so universal.

Tarantino's stuff in its inception was all about finding a way for him to break into Hollywood.

I won't make a movie for money ever again.

My sisters are my favorite people on earth.

I've made 30-plus films over 20 years. And in my opinion, five of them are good.

I learn so much more in an ensemble movie.