Monstress is an exhilarating rollercoaster of a book. Deeply funny, heartbreaking, hopeful, philosophical, bawdy, and wise, Lysley Tenorio’s stories, written from the underbelly of the American Dream, present one brilliant portrait after another.

What does literature do for me? I think I solve problems in my writing. They may be my problems, but perhaps others share them, and in the process of working these through, I hope to entertain.

In some ways, Valiant Gentlemen grows out of Tales of the New World, my collection of short stories about explorers who lived "great" lives, but whose experience of it was in the same register as all our lives are - we feel the same extent of human emotion regardless of how exceptional our actions are: nothing is more exceptional than one's own life.

Monstress is an exhilarating rollercoaster of a book. Deeply funny, heartbreaking, hopeful, philosophical, bawdy, and wise, Lysley Tenorio’s stories, written from the underbelly of the American Dream, present one brilliant portrait after another.

Joseph Conrad and Heart of Darkness loom huge in my development as a writer. I think I'm always trying to write Heart of Darkness - trying to explode an abstraction in concrete terms, although I am aware that Conrad's story has a bit of baggage that I'd rather avoid in my work.

Valerie Martin was my mentor in college and she liked fiction that said something. That made it essential to have something to say. This seems obvious, but it's not. And she's taken on a wide range of subject matter: each book poses new challenges, and that's something I think about when I'm embarking on a project.

Every book presents its own specific challenges, or should, and you're right that this one has a preoccupation with uncertainty. In this, Valiant Gentlemen is a rupture from previous work as its obsession is with the psychology of characters who are in states of unknowing living in unpredictable times where the stakes are unusually high.