You got off on the wrong foot. I merely watched you shove it into your mouth.

He smiled his dimpled smile. "Well, I've found something in my heart, my love, and it's you. You fill it up so completely that I don't need anything else." His gaze turned solemn. "I don't want to be the river anymore. I want to be the earth that the tree roots in. And I believe that I can, if you'll be my tree. Will you?" It was too much. She began to cry, though she smiled so he'd know that they were happy tears. "That proposal...is vastly superior...to your last one," she choked out between sobs. "I would very much love to be your tree." -Jarret and Annabel

Lucy: I don't understand men. Nettie: What is there to understand? If you feed 'em regular-like and give 'em a bit of 'sugar' now and then, they're easy enough. And if they don't behave, you just toss 'em out on their arses. That's what I always say.

I always say that love is like the meat in a pie,” Freddy put in. “The crust is what people see—the practical things that hold a couple together. But love is the important part—without it you’ve got a meatless pie, and what’s the point of that?” “Why, Freddy,” Minerva said, “that was almost profound.

The best time to write is when your life is in the toilet. Writing offers an escape from your problems, so if you force yourself to write when you're in the doldrums, it will have the perverse effect of cheering you up. At the very least, it allows you to inflict your pain on your characters, which has the dual effect of giving them more depth while relieving your own tension.

You can never know too much about writing. If you think you know everything, you're not leaving yourself open to learn. . . . The best writers are always learning, exploring, and trying to improve.

You got off on the wrong foot. I merely watched you shove it into your mouth.