In orthodox film-making, you never shoot sequentially - but with improv, obviously every move you make has a knock-on effect; it is a cumulative process. I have improvised, on the non-scripted 'Timecode.' It can become entirely indulgent: actors smashing crockery and competing verbally.

For a woman to say she has had a dalliance with another woman is quite trendy these days. I do not like trendiness. Life isn't about dalliances - it's about individuals. You come across people in your life that you find very interesting. It's not about something flighty.

My parents were political, so it's definitely in my bones. Wherever I am, I always seem to get involved with politics. I think, once it's in your bloodstream, it's always there. I love it.

When I was a child I wanted to be a petrol pump attendant. I suppose you have all sorts of thoughts as a child and at the time I figured that it was a way to avoid doing anything like going on stage.

It helps being from somewhere other than Hollywood, not having grown up with that sense of film-making. I really wasn't exposed to that as a young woman.

I had a happier experience of the city as an actress than I had had as a model.

I'm not very good with stills. I get all twitchy.