My feet are like something from another age - prehistoric and troll-like. I keep expecting them to talk, they have that much character.

I love disappearing. That's what acting is. For me it's about putting on a persona, stepping into a pair of shoes. It's my face, but I'm using it as a tool for that spirit, that character.

You always want your films to go as far as they can.

A different script calls for different things. It always takes me a long time to get to know the part, and know the logic behind the words. I have to be with the script for quite a long time before things start to fall into place, before they become part of the character.

I grew up with 'Jane Eyre,' reading it at school, and it's one of those, I think, for a lot of women, a lot of girls, it's the iconic story and so many girls relate to Jane Eyre and her character.

Different directors have different things, so when I left Mike Leigh, as it were, and I went into other projects after 'All or Nothing,' it took some getting used to - what do you mean there's a script?!?' That kind of thing.

My knees buckled. It's the last thing I expected