I've always traveled with the films because I want the audience to be my teacher so that I can learn for the next one.

I think yes is the most beautiful and necessary word in the English language.

To me there is an intimate relationship between austerity and more lush aesthetics. They're two faces of the same coin.

My writing method is to sit in a very small hut absolutely alone. I write in total solitude. And I write on paper, on hand, and then it gets typed. Normal for me.

You can't really divorce women's struggles in the world from women's in the cinema. As long as there's hierarchy it means that women are somehow secondary or second class or less than. That's going to be reflected in movies because films are the most powerful medium to reflect back society's view of itself

I've always traveled with the films because I want the audience to be my teacher so that I can learn for the next one.

The language of cinema as it has evolved has also excluded vast swathes of human experience. The forms we find in the process of making a film can start to redress this balance and venture into uncharted territory. This is not just about unsung identities but about the subtleties and nuances of contemplation, the drifting spaces in which the worlds of the very small and the very large collide. Camerawork is a part of that.