When I finally decided to leave school and pursue acting, my parents didn't take it very lightly. My friends thought that it was the tackiest thing they'd ever heard of. Acting was really beneath them. They couldn't believe that I would want to become an actress. Not now, of course.

Sometimes I decide not to make something because I am proud and think I am better than that - and then I realise I have to pay the rent and I have to take something which is even worse than all the other stuff they offer you because you were being so proud not to take it! But you adjust and sometimes for one reason or another there is no strategy at the end but there is the ability to do the best that you can with what you have.

I was privileged to grow up in Mexico at a time when you could play in the streets. We lived not too far from the ocean, and we would be outside all the time with the neighbours' kids, running free. What better place could there be for a child?

Producing is hell, writing is frustrating, acting is really satisfying, directing is heaven.

My mother was devoted to helping people - with my father's money! - who had great voices but didn't have the financial means to study music. He and my mum gave away dozens of music scholarships, and my mum opened a school in town, introduced opera to children and created fantastic programmes.

I said, 'I'm going to the United States to study with Stella Adler and do movies because nobody here has done it and my passion is films.' But I came here and I didn't speak English, I didn't have a green card, I didn't know I had to have an agent, I couldn't drive, I was dyslexic.

My accent was horrible. In Mexico, nobody says, 'You speak English with a good accent.' You either speak English, or you don't: As long as you can communicate, no one cares.