To understand just one life you have to swallow the world ... do you wonder, then, that I was a heavy child?

One of the things I do take some pride in is that if you had never read an article about my life, if you knew nothing about me, except that my books were being set in front of you to read, and if you were to read those books in sequence, I don't think you would say to yourself, 'Oh my God, something terrible happened to this writer in 1989.'

I saw Quentin Tarantino's 'Django Unchained,' and you could say a lot of things against it, but it was incredible fun. I don't like blood and gore and I am very squeamish about violence, but Tarantino's violence is actually funny.

I was very happy in Bombay. I was good at school. There was no reason to change anything. I suppose it must have been some spirit of adventure, of wanting to see the world.

What I've always seen in writers and artists is the courage it takes to make an original work of art. I think the real risks in literature are linguistic and intellectual, and I hope we can highlight those, as well as political courage.

Out-of-step intellectuals like Noam Chomsky and the deceased Edward Said have often been dismissed as crazy extremists, 'anti-American,' and in Mr. Said's case even, absurdly, as apologists for Palestinian 'terrorism.'

American literature has always been immigrant.