I have always thought that these two ways of talking, one is the fantastic, the fable, the fairy tale, and the other being history, the scholarly study of what happened, I think they're both amazing ways to understand human nature.

The acceptance that all that is solid has melted into the air, that reality and morality are not givens but imperfect human constructs, is the point from which fiction begins.

For a fellow who's not to much to look at, you have the instincts of a champion.

I've met the Dalai Lama briefly, but I would probably say my grandfather was the wisest person I ever met. He was my mother's father, an Indian, a family doctor, and very unlike me in that he was deeply religious.

What I've always seen in writers and artists is the courage it takes to make an original work of art. I think the real risks in literature are linguistic and intellectual, and I hope we can highlight those, as well as political courage.

In spite of all evidence that life is discontinuous, a valley of rifts, and that random chance plays a great part in our fates, we go on believing in the continuity of things, in causation and meaning. But we live on a broken mirror, and fresh cracks appear in its surface every day.

Prophet Mohammed would have no objection to The Satanic Verses.