In the '50s, listening to Elvis and others on the radio in Bombay - it didn't feel alien. Noises made by a truck driver from Tupelo, Mississippi, seemed relevant to a middle-class kid growing up on the other side of the world. That has always fascinated me.

One of the things I've thought about 'Midnight's Children' is that it is a novel which puts a Muslim family at the centre of the Indian experience.

Sometimes we feel we straddle two cultures; at other times, that we fall between two stools.

I can walk into a bookshop and point out a number of books that I find very unattractive in what they say. But it doesn't occur to me to burn the bookshop down. If you don't like a book, read another book. If you start reading a book and you decide you don't like it, nobody is telling you to finish it.

The whole story of migration and what that has done in interconnecting the planet is obviously something I've written about a lot.

Because I've always felt, whether the fatwa or whatever, the writer's great weapon is the truth and integrity of his voice. And as long as what you're saying is what you truly, honestly believe to be the case, then whatever the consequences, that's fine. That's an honorable position.

Normally when I read, I don't like music playing.