The only position when violence is threatened in response to a novel or a cartoon or a crappy YouTube video is a no-surrender position. This is how we live. We live in a country in which we have these rights, and we're not going to give them up. Full stop. The end.

Children are the vessels into which adults pour their poison.

In India, as elsewhere in our darkening world, religion is the poison in the blood. Where religion intervenes, mere innocence is no excuse. Yet we go on skating around this issue, speaking of religion in the fashionable language of 'respect.' What is there to respect in any of this, or in any of the crimes now being committed almost daily around the world in religion's dreaded name?

The liveliness of literature lies in its exceptionality, in being the individual, idiosyncratic vision of one human being, in which, to our delight and great surprise, we may find our own vision reflected.

I'm a big-city boy. What I like is big cities. It's not just what I like. It's what I write about.

The thing about literature is that, yes, there are kind of tides of fashion, you know; people come in and out of fashion; writers who are very celebrated fall into, you know, people you know stop reading them, and then it comes back again.

[My work] is a love song to our mongrel selves.