Have you noticed the physical resemblance between Imran Khan and Gaddafi? If you were making a movie of the life of Gaddafi and you wanted a slightly better-looking version of Gaddafi, you might cast Imran Khan.

Literature is the one place in any society where, within the secrecy of our own heads, we can hear voices talking about everythingin every possible way. The reason for ensuring that that privileged arena is preserved is not that writers want the absolute freedom to say and do whatever they please. It is that we, all of us, readers and writers and citizens and generals and goodmen, need that little, unimportant-looking room. We do not need to call it sacred, but we do need to remember that it is necessary.

One of the reasons my name is Rushdie is that my father was an admirer of Ibn Rush'd, the 12th century Arab philosopher known as Averroes in the West. In his time, he was making the non-literalist case for interpreting the Koran.

We are the only animals that tell stories to understand the world we live in.

When you're writing for the screen you're really thinking all the time of what you have to do to make sure that they have the information that they need, that the emotional thread is not snapped, that the story moves at the right speed, to keep the audience hopefully sitting on the edge of their seats or else weeping or laughing.

I have been only the humblest jugglers-with-facts; and that, in a country where the truth is what it is instructed to be, reality quite literally ceases to exist, so that everything becomes possible except what we are told is the case; and maybe this was the difference between my Indian childhood and Pakistani adolescence--that in the first I was beset by an infinity of alternative realities, while in the second I was adrift, disoriented, amid an equally infinite number of falsenesses, unrealities and lies.

The way you write a screenplay is that you close your eyes and run the movie in your head and then you write it down.