The beautiful came to this city [Hollywood] in huge pathetic herds, to suffer, to be humiliated, to see the powerful currency of their beauty devalued like the Russian ruble or Argentine peso;to work as bellhops, as bar hostesses, as garbage collectors, as maids. The city was a cliff and they were its stampeding lemmings. At the foot of the cliff was the valley of the broken dolls.

The Republicans were not always insane. They might've had politics I didn't agree with, but they weren't always actually certifiable.

Anyone who has had the experience of going through American security checks knows the purpose of these checks is not to make you safer; it's just to annoy you.

Free societies...are societies in motion, and with motion comes tension, dissent, friction. Free people strike sparks, and those sparks are the best evidence of freedom's existence.

Khattam-Shud,' he said slowly, 'is the Arch-Enemy of all Stories, even of language itself. He is the Prince of Silence and the Foe of Speech. And because everything ends, because dreams end, stories end, life ends, at the finish of everything we use his name. "It's finished," we tell one another, "it's over. Khattam-Shud: The End.

Reality is a question of perspective.

Our lives disconnect and reconnect, we move on, and later we may again touch one another, again bounce away. This is the felt shape of a human life, neither simply linear nor wholly disjunctive nor endlessly bifurcating, but rather this bouncey-castle sequence of bumpings-into and tumblings-apart.