What I've always tried to find in my books are points at which the private lives of the characters, and also my own, intersect with the public life of the culture.

It's a terrible thing that your life turns into a good story.

All migrants leave their pasts behind, although some try to pack it into bundles and boxes-but on the journey something seeps out of the treasured mementoes and old photographs, until even their owners fail to recognize them, because it is the fate of migrants to be stripped of history, to stand naked amidst the scorn of strangers upon whom they see rich clothing, the brocades of continuity and the eyebrows of belonging.

I became a writer because I got addicted to story. The first storyteller in my life was my father.

I'm definitely post-something.

The West should be tougher on Pakistan. It is trying to play both ends against the middle - to look like the friend of the revolutionaries on the one hand and a friend of the West in the fight against terrorism. It can't be both things.

Khattam-Shud,' he said slowly, 'is the Arch-Enemy of all Stories, even of language itself. He is the Prince of Silence and the Foe of Speech. And because everything ends, because dreams end, stories end, life ends, at the finish of everything we use his name. "It's finished," we tell one another, "it's over. Khattam-Shud: The End.