American literature has always been immigrant.

In our time, we have become too interested in the artist and his or her character and experience as a way of understanding art. In my view, you should be able to read a book or see a film without knowing a single thing about conditions or circumstances or character of the artist, and experience the work to the full without such information. Sometimes I feel - speaking for myself - that people know much too much about me, and I wish people knew less and could just read these books and respond to them purely as words on a page.

The gamble of literature is that I make the best work I can; the most truthful, the most representative of how I see things. I try and do that and then I put it out there and say to you, "What do you think?" I hope that you think well of it, obviously.

It's Kennedy's war, Vietnam. Lyndon Johnson got all the flak, but it's Kennedy's war.

A man who invents himself needs someone to believe in him... Not only the need to be believed in, but the need to believe in another. You've got it: Love.

I've never seen anywhere in the world as beautiful as Kashmir. It has something to do with the fact that the valley is very small and the mountains are very big, so you have this miniature countryside surrounded by the Himalayas, and it's just spectacular. And it's true, the people are very beautiful too.

When I was growing up, everyone around me was fond of fooling around with words. It was certainly common in my family, but I think it is typical of Bombay, and maybe of India, that there is a sense of play in the way people use language.