Every Day Is for the Thief, by turns funny, mournful, and acerbic, offers a portrait of Nigeria in which anger, perhaps the most natural response to the often lamentable state of affairs there, is somehow muted and deflected by the author's deep engagement with the country: a profoundly disenchanted love. Teju Cole is among the most gifted writers of his generation.

I'm a big-city boy. What I like is big cities. It's not just what I like. It's what I write about.

A book is a version of the world. If you do not like it, ignore it; or offer your own version in return.

War used to be something you could stand on the nearby hill and watch. Now we have total war; everybody's in it. We have total economics as well. Everything affects everybody. The Malaysian currency shakes, and people around the world are seriously affected.

But I - and I just think it's very - one of the problems of defending the extraordinary principle of freedom of speech is that you have to defend freedom of speech for people like that too.

Human beings, you see, do absolutely two primary things. We see like and unlike. Like becomes, in literature, simile and metaphor. Unlike becomes uniqueness and difference, from which I believe, the novel is born.

For many people, I've ceased to be a human being. I've become an issue, a bother, an "affair".... And has it really been so long since religions persecuted people, burning them as heretics, drowning them as witches, that you can't recognize religious persecution when you see it?