When you're writing for the screen, you have to be hyper-conscious every moment of how the audience is going to react. If you write just one scene where the audience is confused or it breaks their concentration in some way, then you've lost them, and you might never get them back.

One of the reasons my name is Rushdie is that my father was an admirer of Ibn Rush'd, the 12th century Arab philosopher known as Averroes in the West. In his time, he was making the non-literalist case for interpreting the Koran.

If you want to be a serious writer, then you have to write what there is to write about. If you're going to pull your punches and second-guess yourself and not do things because you're worried, then don't write. Stay home and do something else.

Rohinton Mistry's celebrated novel 'Such a Long Journey' was pulled off the syllabus of Mumbai University because local extremists objected to its content.

If you live in free countries, you don't have to spend all your life arguing about freedom because it is all around you. It seems redundant to make a lot of noise about something when, in fact, there it is. But if someone tries to remove it, it becomes important for you to formulate your own defenses of it.

That's the trouble with you sad-city types: a place has to be miserable and dull as ditchwater before you believe it's real.

He had picked up languages the way most sailors pick up diseases; languages were his gonorrhoea, his syphilis, his scurvy, his ague, his plague.