If a birth is the fall-out from the explosion caused by the union of two unstable elements, then perhaps a half-life is all we can expect.

Even the Islam stuff I thought was pretty respectful about Islam in a funny way. I mean, yes, from a secular point of view, but it talks about the birth of this religion, and I thought it was pretty admiring of the person at the center of it, the prophet of Islam.

One of the reasons my name is Rushdie is that my father was an admirer of Ibn Rush'd, the 12th century Arab philosopher known as Averroes in the West. In his time, he was making the non-literalist case for interpreting the Koran.

I have a general feeling that writers and artists who are in this peculiar situation, of being a persecuted artist, all anyone ever asks about is the persecution. It may well be that's the last thing in the world they want to talk about. There were many years in which every journalist in the world wanted to talk to me, but nobody wanted to talk to me about my work. That felt deeply frustrating because I felt there was an attempt to stifle me as an artist. The best revenge I could have was to write.

The sixty-minute drama form has become very rich.

The rate of change is global now. I think there's a kind of mind that is so ill at ease with that transformation that it reaches out for something permanent. And religious faith offers that, from simplicities, which you are told are eternal and unchanging, and you can hold on to those like a life raft in a metamorphosing world.

My children are English, and both of their mothers were English.