As the poet has expected, the alarms now are sounded, for - and it must be said again - the birth of a poet is always a threat to the existing cultural order, because he attempts to break through the circle of literary castes to reach the center.

Europeans know the importance of the Resistance; it has been the shining example of the modern conscience.

At the point when continuity was interrupted by the first nuclear explosion, it would have been too easy to recover the formal sediment which linked us with an age of poetic decorum, of a preoccupation with poetic sounds.

Religious power, which, as I have already said, frequently identifies itself with political power, has always been a protagonist of this bitter struggle, even when it seemingly was neutral.

Religious poetry, civic poetry, lyric or dramatic poetry are all categories of man's expression which are valid only if the endorsement of formal content is valid.

An exact poetic duplication of a man is for the poet a negation of the earth, an impossibility of being, even though his greatest desire is to speak to many men, to unite with them by means of harmonious verses about the truths of the mind or of things.

The antagonism between the poet and the politician has generally been evident in all cultures.