There are movies that I love tonally, that I would love to emulate. Anything from Wes Anderson or the Coen brothers is right in my wheelhouse, as something that I would aspire to. I love that kind of indie, fun, colorful, funny, sweet, heartfelt but dark film.

The transformation is the most excruciating pain that you could possibly imagine, so you're mimicking this grand mal seizure while wearing crazy latex make-up. It's so bizarre. It's really out there. The most challenging part is the emotional and physical side of it.

Anytime you test for a TV show, you have that bit of squeamishness entering into it because they lock you in for a number years.

There are movies that I love tonally, that I would love to emulate. Anything from Wes Anderson or the Coen brothers is right in my wheelhouse, as something that I would aspire to. I love that kind of indie, fun, colorful, funny, sweet, heartfelt but dark film.

I have been doing this [acting] for a really long time, so I've come to expect things to take a really long time. You get to a place where you do your job and then you dust your hands off and say, "Okay, my job is done. Now, it's in the stars. We'll see what happens." There's nothing I can do to affect it.

Anytime you do a job, especially one that's as intense and long as this one was, you have phantom work syndrome. I'm constantly feeling like I'm miked, so I'm careful of what I say all the time.

Historically, I've done movies, but I've got a family already. I've been doing this for many years, and the idea of working consistently on something that I really, really love, and the steadiness of it, was really appealing.