One of my big revelations was that nobody cares whether you write your novel or not. They want you to be happy. Your parents want you to have health insurance. Your friends want you to be a good friend. But everyone’s thinking about their own problems and nobody wakes up in the morning thinking, ‘Boy, I sure hope Sam finishes that chapter and gets one step closer to his dream of being a working writer.’ Nobody does that. If you want to write, it has to come from you. If you don’t want to write, that’s great. Go do something else. That was a very liberating moment for me.

You could touch for a couple of bucks. The window of the booth went up and you stuck out the bills. They might tell you not to pinch, but I was a stroke type anyway. Some guys, I guess they want to leave a mark. Me, I just like the feel.

I had a teacher once who said, "If you are going to write fiction, you should only read poetry." I have always been interested in the writers who care about their sentences and who really work on that level. I have always said that I hate writing, I love revision. So, the language is really important to me. And the comedy and the horror that come out of the language.

I'm a citizen of the republic of empathy.

People gave names to things so they could tell stories about them, goddam fairy tales about children who got out alive.

Art is an artifice that you try to make seem natural.

Dept. of Speculation is gorgeous, funny, a profound and profoundly moving work of art. Jenny Offill is a master of form and feeling, and she gets life on the page in new, startling ways.