Every Bond is different and every generation needs a different Bond and it's been able to move with the times.

I feel like the American years were my apprenticeship for doing a Bond movie.

You've got to believe as a filmmaker that if a movie's good enough, it's going to survive; and if it's not, well, it won't.

Shooting action is very, very meticulous, it's increments, tiny little pieces.

Now Im back home, living in London, running my theater. I just want to enjoy all that.

When I drive through a field, I want to see green grass sometimes, and I don't want to see black and white.

One of the reasons I loved working with Tom is people feel they know who he is... I think working with an actor who the audience already has a relationship with actually helps you in a film like this.