This was only Taika Watiti fourth film [Hunt for the Wilderpeople], but I think he brings a very original way of looking at stuff and I think if you look at Boy, for instance, which is a beautiful film, that was his second feature, and it's heartbreakingly sad, but it's also simultaneously very funny. There are not many people who can do that.

If you want to learn about America, watch The Wire. Its a profound piece of entertainment.

I can tell you where I was when Kennedy was shot - which was in the common room at school. I heard about it on the old valve radio. At the time of Armstrong's landing, I was at university rehearsing a play.

You don't necessarily have to go a long way in New Zealand to be in some pretty dense and scary bush.

Try and fit in in a New Zealand playground with an Armagh accent - it doesn't work.

The core of the film [Hunt for the Wilderpeople] is that relationship. Whether they're getting on or whether they're not. If that relationship works, then everything else works as well. And you kind of almost, sort of, gives into a realm of something like New Zealand magic realism... There is no world in which social work is actually pursues some kid into the woods in this manner.

I never met Barry Crump, but I was in an audience once for a play once. There was a drunken man at the back of the auditorium that was shouting during a performance of a one man play, and it turned out later on that was Barry Crump and he was in a state of inebriation.