Because I was familiar with Taika's Watiti work and there's a very subversive, funny streak amongst all of them. I don't think he turned [Hunt for the Wilderpeople] into a sort of drama, there's too much dark material underneath it for it to be a comedy; it wasn't designed to be a comedy. I think it's a comedy... I think it's a drama that's funny; which is different.

I get very antsy and nervous if I don't know what the next job is.

Because I was familiar with Taika's Watiti work and there's a very subversive, funny streak amongst all of them. I don't think he turned [Hunt for the Wilderpeople] into a sort of drama, there's too much dark material underneath it for it to be a comedy; it wasn't designed to be a comedy. I think it's a comedy... I think it's a drama that's funny; which is different.

I can never really remember what I look like. I'm just sort of neutral. I don't think I'm sort of, you know, hideous.

I understand acting and I understand actors. I don't really understand the world of celebrity. That's just bizarre. Those sorts of elements I'm at sea with.

This was only Taika Watiti fourth film [Hunt for the Wilderpeople], but I think he brings a very original way of looking at stuff and I think if you look at Boy, for instance, which is a beautiful film, that was his second feature, and it's heartbreakingly sad, but it's also simultaneously very funny. There are not many people who can do that.

Nobody knows who Barry Crump is, anywhere, but in New Zealand he's huge. I am of that age, where I sort of grew up with Barry Crump books. Look, if you read the book, you realize it is actually not a funny book at all.