I'm not big on Champagne, but I'd take along a bottle of Cristal to pop for when the boat comes to the rescue.

I can tell you where I was when Kennedy was shot - which was in the common room at school. I heard about it on the old valve radio. At the time of Armstrong's landing, I was at university rehearsing a play.

Because I was familiar with Taika's Watiti work and there's a very subversive, funny streak amongst all of them. I don't think he turned [Hunt for the Wilderpeople] into a sort of drama, there's too much dark material underneath it for it to be a comedy; it wasn't designed to be a comedy. I think it's a comedy... I think it's a drama that's funny; which is different.

I get very antsy and nervous if I don't know what the next job is.

As much as possible, I try to encourage people to use stunt men because that is really their job.

I never met Barry Crump, but I was in an audience once for a play once. There was a drunken man at the back of the auditorium that was shouting during a performance of a one man play, and it turned out later on that was Barry Crump and he was in a state of inebriation.

The core of the film [Hunt for the Wilderpeople] is that relationship. Whether they're getting on or whether they're not. If that relationship works, then everything else works as well. And you kind of almost, sort of, gives into a realm of something like New Zealand magic realism... There is no world in which social work is actually pursues some kid into the woods in this manner.