Because of Walter, we did it the other way around. We also worked with an awesome sound designer named Will Patterson who just worked for four years on Terrence Malick's films. He did a lot of conceptual work to make the soundscapes in the jungle have this surreal quality, to blend these two films because a lot of the images are about this parallelism between the movies. The sound was very integral to fusing everything.

Herzog and Malick both have this very unique naturalist intentionality to their process. It's about creating the mood, creating the focus and having discipline, but not prescribing what the performance was supposed to be. Neither of them are really directing their actors into a performance.

What we definitely agree with Walter on is that filmmaking is teamwork. It's one of the only arts that is truly based in the work of a team. Anyway, Werner he told us a lot of practical things. How to hang a hammock. He'd circle a map and give us a notebook with directions to get to certain places that were out of the way. He told us to drink the river water and not use purifications tactics that only "New Age assholes" used. He said that if we saw piranhas, we should jump in and swim with them. We did all of this. We took his word as gospel.

The lessons learned on a pure practical production standpoint were immense. It instilled a faith that you can accomplish what you want if you just believe and stick together and continue to work at it. In that sense, it gives me the confidence to go into the next project with the belief that we can do it. This was an experiment in whether you can find a film without a singular conceit.

There were the classic challenges any tourist faces, like getting lost, getting sick, losing things, getting in a fight... All these things happened numerous times. The only point of the trip that was defiantly challenging was a point that's not actually in our film.

Because of Walter, we did it the other way around. We also worked with an awesome sound designer named Will Patterson who just worked for four years on Terrence Malick's films. He did a lot of conceptual work to make the soundscapes in the jungle have this surreal quality, to blend these two films because a lot of the images are about this parallelism between the movies. The sound was very integral to fusing everything.

It was Herzog, the man himself. He was so welcoming and kind and not at all the persona you'd seen in a magazine, or in "Burden of Dreams" for that matter. I'd shot the behind-the-scenes for "Bad Lieutenant." It was a very normal production. Nothing like "Burden of Dreams."