In many of my plays, there was a kind of autobiographical character in the form of a son or young man. The purpose of it, of course, was to write about myself. That character was always the least fully realized. Eighteen years later, you realize, That's what he was about.

I've heard writers talk about "discovering a voice," but for me that wasn't a problem. There were so many voices that I didn't know where to start.

There's gonna be a general lack of toast in the neighborhood this morning.

Character is an essential tendency. It can be covered up, it can be messed with, it can be screwed around with, but it can't be ultimately changed. It's the structure of our bones, the blood that runs through our veins.

You can’t keep messing me around like this. It’s been going on too long. I can’t take it anymore. I get sick every time you come around. Then I get sick when you leave. You’re like a disease to me.

I still haven't gotten over this thing of walking down the street and somebody recognizing you because you've been in a movie. There's this illusion that movie stars only exist in the movies. And to see one live is like seeing a leopard let out of the zoo.

I got to New York when I was eighteen. I was knocking around, trying to be an actor, writer, musician, whatever happened.