I don't think there's anything to be desired in a bunch of people chasing you around, trying to get a piece of your clothing.

I came to New York in 1962 and it began to look like I might he able to make a living in 1972.

That's where I'd like to be: when the business says here's a good actor who is marketable so we can use him. Just that.

Good directors say, Here's where the play is. They stand by the heart of the matter. Some of them stand beside it.

I think people have some control over what they want; there's a relationship - maybe not automatic - between what you want and get.

I dont think playing a villain is my greatest talent.

Separation is painful, and there's such a thing as doing it too much - the limits are how much it hurts.