As a writer I feel more like a filter than a performer. I absorb and observe and then I name scatterings of stars into constellations. I don't usually spend time asking whether the stars are random or planned. I make a narrative in the darkness, the area subscribed by an outline of bright points. Sometimes they look like Ursa Minor, and sometimes they just looks like one day the world exploded.
Samantha HuntMy father thought a novel was a broken short story. There's something to that. Many of my favorite novels are novellas. The authors of brief things must reckon with the precision of language.
Samantha HuntI am very bad at remembering the books I've read and so recently I had a wonderful experience. I decided I wanted to teach Toni Morrison's The Bluest Eye. I hadn't read it in twenty-five years. I was surprised to find how much I drew from that book. Stole from that book, learned from that book about writing. I had forgotten and there it was. Morrison has called that text faulted. I cannot see how.
Samantha HuntWhen I was learning to write I was surrounded by poets; Brian Blanchfield and Annie Guthrie were always with me as I was learning. I'm so grateful for the poets in my life. Because of them I always knew the importance of each word, line.
Samantha HuntMuch of the writing I do about the female body is to remind women, myself included, that they make life and they make death. That strikes me as a far more powerful stance than the weak lies told about mothering.
Samantha HuntThe first time I took my daughters to the ocean - and I love the ocean but where we swim is very rough, very New England, rip tide, not messing around ocean - and a thought arrived: I was asking my daughters to slowly recognize death, just dip their toes in its fathomless edge, to know it is there, even in the night when we don't see it and that it, in its mystery and largeness, in its terror, is the thing that makes life precious, magnificent and full of never-ending curiosity.
Samantha Hunt