Ruth Montgomery had a book I was reading called Aliens Among Us. She was an automatic writer. She used to go into a trance, and she would just start typing information, and then she would come out of her trance and read it and go, "Wow," and that was just the way she wrote her books.

The downloads, the licensing, commercials, radio - it's made me more money than any song I've ever written, and it only went to No. 26. It wasn't a big hit at all. But it's a career song ["I Can't Drive 55"].

I've had my fill of "One Way To Rock" or "I Can't Drive 55." Those are guy songs to me, and I'm cool with that. But when you write a great love song and you start seeing that 50 percent of your audience is beautiful women, that's much more rewarding, than having a bunch of guys out there.

If you don't ever stop singing, your voice stays in shape. It's like the marathon runner. You've got to run, run, run to stay in shape.

I looked at Mick Jagger and Keith Richards and the boys up there thinking, I want to be that.

When I woke up from that dream, brother, I was like, "Okay, I've got to know what that was, what happened." That was not an average dream. I've had some dreams in my days, but not like that. It was way too vivid. Looking back, the reason that dream makes more sense today than it did then is, we are in a digital world. Back then, it was an analog world. Everything was digital in the dream.

You could be in the gutter and fall in love with someone, and you feel great. That's my honest opinion. I've witnessed both sides of that fence and being in love is where it's at.