I read the script [of Dirk Gently's Holistic Detective Agency] and went, "I haven't read anything this good, in a long time." I thought it was absolutely brilliant. The dialogue is so sparkling, smart and witty. You also have these insane, crazy characters, like energy sucking vampires and holistic assassins. It's all completely weird.

I couldn't have asked for a better acting partner and a better human being to work with. We have to work very closely together, and I felt, in our screen test, that we had really good chemistry, but I wasn't sure if I was just making that up. Max has written a really finely wrought bromance. I have complete trust in Elijah [Wood].

Max [Landis] writes in quite a heightened way, specifically for Dirk. There's a rhythm and a specific speed to it, and it was very easy to learn because it was so well-written. It just rolled off the tongue. There aren't many auditions that I go for, where I feel like I could actually do the part. But with this one, even though I was not quite sure how to pin Dirk down, I thought I could do it.

The great irony to Dirk [Gently] is that he sees connections in everything, but the one thing he fails and struggles with most is connecting with other people.

I'm a huge fan of [Elijah Wood] work and a huge fan of him, as a person. What's great about getting to know him is that he's just a really lovely, regular guy.

I think Dirk [Gently] thinks that he's a brilliant detective, but he's the worst detective, ever. He does have this particular skill, which I suppose you might call a really bad superpower because it's just not very helpful. He is able to sense the connections between things and he's nearly always right, but the problem is that he never knows what to do with any of those messages that he receives from the universe, so he just acts on things and gets himself into terrible trouble, all the time.

You had to make everything much more truthful for the camera. With the stage it's a given that it's going to be theatrical.