Already all confusion. Things and imaginings. As of always. Confusion amounting to nothing. Despite precautions. If only she could be pure figment. Unalloyed. This old so dying woman. So dead. In the madhouse of the skull and nowhere else. Where no more precautions to be taken. No precautions possible. Cooped up there with the rest. Hovel and stones. The lot. And the eye. How simple all then. If only all could be pure figment. Neither be nor been nor by any shift to be. Gently gently. On. Careful.

I still smile it's not worth the trouble any more for a long time now it's not been worth the trouble the tongue spring goes into the mud I stay like this not thirsty any more the tongue goes back into the mouth it closes it has to make a straight line now it's done I've made the image.

Words are the clothes thoughts wear.

I try. I fail. I try again. I fail better.

Art has always been this--pure interrogation, rhetorical question less the rhetoric--whatever else it may have been obliged by social reality to appear.

Enough of acting the infant who has been told so often how he was found under a cabbage that in the end he remembers the exact spot in the garden and the kind of life he led there before joining the family circle.

Life is habit. Or rather life is a succession of habits.