When the object is perceived as particular and unique and not merely the member of a family, when it appears independent of any general notion and detached from the sanity of a cause, isolated and inexplicable in the light of ignorance, then and only then may it be a source of enchantment.

The tears stream down my cheeks from my unblinking eyes. What makes me weep so? There is nothing saddening here. Perhaps it is liquefied brain.

Nothing is more real than nothing.

The pendulum oscillates between these two terms: Suffering-that opens a window on the real and is the main condition of the artistic experience, and Boredom ... that must be considered as the most tolerable because the most durable of human evils.

Enough. Sudden enough. Sudden all far. No move and sudden all far. All least. Three pins. One pinhole. In dimmost dim. Vasts apart. At bounds of boundless void. Whence no farther. Best worse no farther. Nohow less. Nohow worse. Nohow naught. Nohow on.

All that is active, all that is enveloped in time and space, is endowed with what might be described as an abstract, ideal and absolute impermeability.

I am interested in the shape of ideas even if I do not believe in them. There is a wonderful sentence in Augustine . . . "Do not despair: one of the thieves was saved; do not presume: one of the thieves was damned." That sentence had a wonderful shape. It is the shape that matters.