I always thought old age would be a writer’s best chance. Whenever I read the late work of Goethe or W. B. Yeats I had the impertinence to identify with it. Now, my memory’s gone, all the old fluency’s disappeared. I don’t write a single sentence without saying to myself, ‘It’s a lie!’ So I know I was right. It’s the best chance I’ve ever had.

As it is with the love of the body, so with the friendship of the mind, the full is only reached by admittance to the most retired places.

I had seen faces in photographs I might have found beautiful had I known even vaguely in what beauty was supposed to consist. And my father's face, on his death-bolster, had seemed to hint at some form of aesthetics relevant to man. But the faces of the living, all grimace and flush, can they be described as objects?

The pendulum oscillates between these two terms: Suffering-that opens a window on the real and is the main condition of the artistic experience, and Boredom ... that must be considered as the most tolerable because the most durable of human evils.

I use the words you taught me. If they don't mean anything any more, teach me others. Or let me be silent.

All the things you would do gladly, oh without enthusiasm, but gladly, all the things there seems no reason for your not doing, and that you do not do! Can it be we are not free? It might be worth looking into.

Personally I have no bone to pick with graveyards.