Film is a battleground. Love, hate, violence, action, death...In a word, emotion.

When you're in the battlefield, survival is all there is.

Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.

Film is a battleground.

Being a hooker does not mean being evil. The same with a pick-pocket, or even a thief. You do what you do out of necessity.

If a story doesn't give you a hard-on in the first couple of scenes, throw it in the goddamned garbage.

Extending the language of film sometimes starts with just trying to show one true thing.