I don't care if it's a mystery story, a Western, or the story of Julius Caesar. To me it's the emotion, the lies, the double-cross, whether it's Brutus doing it to Caesar or Bob Stack doing it to Robert Ryan that defines what kind of drama it is.

If a story doesn't give you a hard-on in the first couple of scenes, throw it in the goddamned garbage.

I don't care if it's a mystery story, a Western, or the story of Julius Caesar. To me it's the emotion, the lies, the double-cross, whether it's Brutus doing it to Caesar or Bob Stack doing it to Robert Ryan that defines what kind of drama it is.

Mark Twain didn't psychoanalyze Huck Finn or Tom Sawyer. Dickens didn't put Oliver Twist on the couch because he was hungry! Good copy comes out of people, Johnny, not out of a lot of explanatory medical terms.

When you're in the battlefield, survival is all there is.

We'll build a democracy here, even if it's with Nazi bricks.

Extending the language of film sometimes starts with just trying to show one true thing.